Showing posts with label news. Show all posts
Showing posts with label news. Show all posts

Saturday, July 23, 2011

North Korea tested missile rocket: report

North Korea last year tested a rocket to carry long-range missiles in an apparent attempt to showcase its weapons capability to the United States, a report said Sunday.
The communist state conducted the rocket engine test at the new Tongchang-ri missile base on the west coast in October, Yonhap news agency said, citing a senior Seoul official.
"We believed that the test, carried out at an hour when the US military satellite could detect it, was aimed at showcasing its missile threats," Yonhap quoted the official as saying.
Satellite images taken in January showed that North Korea had completed a launch tower at the Tongchang-ri missile base, which was bigger and more advanced than the older Musudan-ri base on the east coast.
The North launched long-range missiles at Musudan-ri in 1998, 2006 and 2009, sending its Taepodong-2 missile to land some 3,200 kilometres (2,000 miles) in the Pacific in April 2009.
Analysts said the new base in Tongchang-ri, whose construction was believed to be almost complete, was seen as a key in the North's quest for an intercontinental ballistic missile (ICMB) that could possibly strike the United States.
The North has started to build new railways to transport materials needed to complete the new base, said the official quoted by Yonhap, adding Seoul saw no immediate signs that the North was about to launch long-range missiles at the site.
Seoul intelligence believe that the North's Taepodong-2 missile, whose maximum range is estimated at 6,700 kilometres, could reach the US west coast within about 20 minutes if successfully launched at the new base, Yonhap said.

Thursday, July 21, 2011

Can "Captain America" save the summer of the super hero?

By Daniel Frankel
LOS ANGELES (TheWrap) - Closing out the Summer of the Lesser-Known Super Hero, Paramount and Marvel will debut "Captain America: The First Avenger" in 3,715 theaters this weekend.
Tracking is solid for the Joe Johnston-directed 3D film, which stars Chris Evans in the title role and arrives with a reasonable-for-its-genre production budget of around $140 million.
Paramount officials are expecting a first-weekend gross somewhere between $55 million to $65 million -- roughly somewhere between where Fox's "X-Men: United" opened in early June ($55.1 million) and where the last Marvel/Paramount collaboration, "Thor," started in May ($65.7 million).
Opening wide alongside "Captain America," Sony's romantic comedy "Friends With Benefits" will further ponder the age-old "can sex friends stay best friends" conundrum, with box-office watchers projecting an opening around $20 million. The R-rated comedy was directed by Will Gluck ("Easy A"), stars Justin Timberlake and Mila Kunis, and cost around $34 million to produce.
Limited debuts this weekend will include Mike Cahill's Sundance hit "Another Earth," which Fox Searchlight will open in four locations.
Oh, and there's also a holdover that's coming off the biggest domestic, foreign and global starts in cinematic history: "Harry Potter and the Deathly Hallows: Part 2," which should decline steeply from its humongous $169.2 million North American premiere last weekend.
"Certainly, there's competition when you come into a marketplace that already has a movie that has set two or three records," noted Don Harris, general manager of distribution for Paramount.
Huge "Potter" openings, however, are usually followed by weekend-to-weekend drops in the 60 percent-plus range, with the franchise's rabid fans rushing out to see the movie during the first weekend.
With that in mind, "Captain America" -- which comes in with a decent 71 percent Rotten Tomatoes score, as of mid-day Thursday -- should win the weekend.
Among males under 25, the film is scoring 92 percent total awareness, according to the latest surveys from research firm NRG, with 59 percent of young dudes listing "definite interest" in seeing the film, and a solid 20 percent describing it as their first choice to see next time they buy a movie ticket.
That's comparable to the 94 percent awareness, 57 percent definite interest and 18 percent first choice NRG scores from the least of this summer's superhero movies, Warner's "The Green Lantern," right before it opened to a disappointing $53.2 million in June, so tracking might not be all it's cracked up to be.
With the major studios launching or rebooting a range of comic properties this summer -- Thor, X-Men, Green Lantern, Captain America/The Avengers -- that are familiar to comic fans but maybe not as much to mainstream audiences as the triumvirate of Superman, Batman and Spider-Man, there have been some successes.
"Thor," for example, has grossed $445.7 million to date at the global box office and paved the way for a sequel; and "X-Men: First Class" has taken in a respectable $346.8 million worldwide while breathing creative life back into a decade-old Fox franchise.
None of these films, however, have sparked the moviegoer's imagination -- and wallet -- like the film that inspired their gestation, Marvel/Paramount's 2008 revelation, "Iron Man."
Grossing $585.2 million worldwide, "Iron Man" spawned a 2010 sequel that grossed even more ($622.1 million), giving rise to the notion that, if a so-called "second-tier" superhero like Iron Man can make it big, so can any other crime fighter in a tight-fitting suit.
This discussion certainly took place at Disney's corporate offices in Burbank two years ago, right before the Mouse paid $4 billion to acquire Marvel.
With so many superheroes crowding the multiplex this summer, and none of their expensive films reaching the lofty, and perhaps, somewhat unreasonable to expect, bar of $500 million globally, there is growing speculation within the movie business that the market might be tiring of the genre. At least just a bit.
"The era of the superhero franchise flick is fading," one studio research executive said to TheWrap Thursday.
Of course, we'll check back on July 20 next year, when Warner and Christopher Nolan debut "The Dark Knight Rises" to kick the tires on that notion. Or, we'll gauge it when Sony reboots "Spider-Man" next July, or when Warner launches its Superman reboot, "Man of Steel" in 2013.
If Batman, Superman or Spider-man can't gross more than $500 million globally, probably no one in tights can.
As for this weekend's rom-com debut, Sony should make out fine on "Friends With Benefits," if director Gluck's limited track record continues to bare itself out. ("Easy A" grossed $75 million last year on a budget of $8 million.)
Scoring a 57 percent on Rotten Tomatoes, "Friends With Benefits" is scoring 91 percent total awareness among females under 25, according to NRG, with 40 percent definite interest and 10 percent reporting it as their first choice.
For what it's worth, Paramount plundered similar narrative ground earlier this year with the Ivan Reitman-directed "No Strings Attached" (which paired Ashton Kutcher and Natalie Portman), coming away with a solid $147.8 million global performance on a modest production spend of $25 million.

Actor Chris Evans had plenty of experience starring in comic-book movies such as Scott Pilgrim vs. The World and The Losers, and even Marvel movies, playing the Human Torch in two Fantastic Fourmovies.

So when he was offered the chance to don the cowl and shield for Marvel Studios' Captain America: The First Avenger, he was at first reluctant. The 30-year-old actor says he was put off by both the commitment the project required - he was being asked to sign a six-picture deal that could take as long as 10 years to complete - and by the impact such a high-profile role could have on his lifestyle.

"I just wasn't 100 percent positive that my end game was to be a gigantic movie star, and if you're not positive about what you're working towards, it's hard when someone says, 'Sign a 10-year deal,'" says Evans. "I've managed over ten years to make movies that for the most part I like and have a good time making them, but they come and go and I can still go to a ball game and I can still go to the grocery store and lead a pretty normal life and that's a big thing for me."

Evans says he at first felt that turning down the role was the right decision for him, but later reconsidered his motivation.

"I kept talking to more friends and family about what I should do, and I had some really good friends of mine who said, 'You know, Chris ... if you are scared of something, then you should push yourself right into it. ... Whether the movie bombs or succeeds, this is exactly what you should be doing,' and I just did a 180. All of a sudden it made perfect sense that this is exactly what I should do."

Having taken the role, Evans says he has no regrets. "Halfway through the filming of Captain America, I realized this was the right decision," he said. "The reason it was such a difficult decision is because the film itself in a vacuum was fantastic. I loved the character, I loved the script, I love the director, I love the producer, I love all the people behind it. So once I could get past my own insecure bullshit, it's been a great experience."

Preparing for the role involved an intense, two-hours-a-day workout and diet regimen that Evans describes as "brutal." But the final result was worth the hard work, he says.
"No matter how long a list you could create of the negatives, the positives trump it," he says. "Let's be real: I make movies. I'm giving interviews, I put on a shield, and I get paid a lot of money to run around and make believe."

One of the more interesting visual effects tricks in the movie is making Evans looks small and skinny to play Steve Rogers before he becomes Captain America. The actor says it was easy for him to identify with skinny Steve.

"It was a bumpy road for me growing up. I was a very skinny guy. I did theater, I went to acting camp," he says. "I lived half my life in tights and tap shoes."

Despite having had experience doing a musical, Evans told filmmakers he was pleased that the film's musical sequence didn't require him to sing or dance.

Evans says he particularly liked a sequence shot in an underwater tank in which Steve Rogers attacks a submarine.

"That was a really fun week of shooting. We had to film in this giant tank and it was just really cool for me," he says. Scuba tanks were on hand and removed for filming and quickly brought back once the director called cut. "You're underwater for a long time. It was cool and different and I liked the way that little sequence turned out."

The costume also turned out to be a high point for Evans, who says he wanted to take the whole thing home with him, but Marvel vetoed it. Evans says he wears a new, more modern costume in Avengers, but was mum on the details. "It's cool," he says.
Evans says he's having a great time working on his next outing as Captain America, in the still-shooting Avengers. Evans says he has very high hopes for the film and gives director Joss Whedon high marks for pulling off so complicated a movie.

"He doesn't have an easy job trying to bring all these people together, and not only just these superheroes, but these actors, and he's doing a phenomenal job," he says.

Evans says he's enjoying the change of pace on Avengers, where he's only one of several superheroes and not required to carry the movie as much as he does on Captain America.

"The shooting schedule is a lot nicer!" Evans says, with a laugh. "With Captain America, you're working every day. ... That's the one good thing about the six-picture deal, is we'll be able to pinball back and forth from an incredible amount of responsibility and workload to a shared responsibility. I can only imagine when Avengers comes around, I think, for the most part, you guys are going to want to talk to Robert Downey Jr., Scarlett Johansson or Mark Ruffalo, and I'll be able to take a little bit of a back seat, which I'm really looking forward to. It's a different experience. Avengers is much more relaxed."
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Beatles' 1st US concert photos fetch $360K in NYC


NEW YORK (AP) — In 1964, an enterprising 18-year-old snapped pictures of the Beatles' momentous first U.S. concert in Washington, D.C.
On Wednesday, Christie's auction house said it sold 50 silver gelatin prints that the photographer, Mike Mitchell, made from the negatives for $361,938. The images, plus photos from another Beatles concert, had been estimated to fetch a total of $100,000.
The Beatles played their first U.S. concert at the Washington Coliseum on Feb. 11, 1964, two days after their debut on "The Ed Sullivan Show."
Mike Mitchell was there, shooting photos from just feet away and even jumping onto the stage for the group's pre-concert press call.
Among the highlights is a backlit shot of the band that he took while standing directly behind them. It sold on Wednesday for $68,500; its pre-sale estimate was $2,000 to $3,000.
An image of an animated Ringo Starr on the drums sold for $8,125. It was estimated to bring $3,000 to $5,000. Christie's said the shot depicts a rare moment where Starr was both drummer and lead singer on a song written by Paul McCartney and John Lennon, but made famous by The Rolling Stones: "I Wanna Be Your Man."
Cathy Elkies, Christie's director of iconic collections, said she expected the bids to exceed the pre-sale estimates.
"Beatles fans are fierce. To uncover this trove of images that's never been published will really excite people," she said.
Also included in the sale are photos of the band's Sept. 13, 1964, performance at the Baltimore Civic Center.
In a recent interview with The Associated Press, Mitchell described the rollicking scene at the Washington indoor arena — not only of screaming fans but also of his unrestricted access.
"It was a long time ago. Things weren't that way then," said the 65-year-old, who now works as an art photographer in Washington. "It was as low-tech as the concert itself. The concert was in a sports venue and the sound system was the sound system of a sports venue."
Equally astonishing is how few other photographs from that first concert exist.
Simeon Lipman, Christie's pop culture consultant, said it's not clear why there weren't many other photos of the concert. He said Mitchell's black and white photographs were remarkable for their "animated" and "intimate" depiction of the Fab Four.
Mitchell stored the negatives for years in a box in his basement. For the silver gelatin prints in the auction, he used digital technology to do "much better darkroom work that could ever have been done in a traditional darkroom."
Mitchell said he had not thought much about the photos until recently because he has been focused on developing a body of photographic work about light that took him on a different aesthetic journey. Until now, he added, the images "couldn't be restored to the extent that they have."
"They benefit from a historical perspective," he said.
___

Online: http://www.christies.com/features/auctions/0711/beatles-illuminated/

Atlantis has landed, ending NASA's shuttle era

CAPE CANAVERAL, Florida (Reuters) - The space shuttle Atlantis glided home through a clear moonlit sky on Thursday to complete a 13-day cargo run to the International Space Station and a 30-year odyssey for NASA's shuttle program. More photos.
Commander Chris Ferguson gently steered the 100-ton spaceship high overhead, then nose-dived toward the swamp-surrounded landing strip at the Kennedy Space Center, a few miles (km) from where Atlantis will go on display as a museum piece.
Double sonic booms shattered the predawn silence around the space center, the last time residents will hear the sound of a shuttle coming home.
Ferguson eased Atlantis onto the runway at 5:57 a.m. EDT (0957 GMT), ending a 5.2 million-mile (8.4 million-km) journey and closing a key chapter in human space flight history.
"Mission complete, Houston," Ferguson radioed to Mission Control.
Astronaut Barry Wilmore from Mission Control answered back, "We'll take this opportunity to congratulate you Atlantis, as well as the thousands of passionate individuals across this great space-faring nation who truly empowered this incredible spacecraft, which for three decades has inspired millions around the globe."
Atlantis' return from the 135th shuttle mission capped a 30-year program that made spaceflight appear routine, despite two fatal accidents that killed 14 astronauts and destroyed two of NASA's five spaceships.
The last accident investigation board recommended the shuttles be retired after construction was finished on the space station, a $100 billion project of 16 nations. That milestone was reached this year.
Details of a follow-on program are still pending, but the overall objective is to build new spaceships that can travel beyond the station's 250-mile (400-km) orbit and send astronauts to the moon, asteroids and other destinations in deep space.
Add cIn this image provided by NASA, Space Shuttle Atlantis touches down at NASA's Kennedy Space Center Shuttle aption

Wednesday, July 20, 2011

from software to toiletry

Bill Gates may have given up running Microsoft, but he isn't taking his retirement sitting down. The software-entrepreneur-turned-philanthropist's charitable foundation has launched a new initiative aimed at improving the health of the billions of people who have no safe, sanitary way to get rid of their waste.
That's right, Bill Gates wants to reinvent the toilet.
"No innovation in the past 200 years has done more to save lives and improve health than the sanitation revolution triggered by invention of the toilet," Sylvia Mathews Burwell, president of the Bill & Melinda Gates Foundation's global development program, said in an address at a conference in Kigali, Rwanda, according to a written statement released by the foundation. "But it did not go far enough. It only reached one-third of the world. What we need are new approaches."
Forty percent of the world's population lacks access to flush toilets, and more than a billion people defecate in the open, according to the statement. That's not only revolting, but also tragic. UNICEF estimates that at least 1.2 million children under age 5 die of diarrhea each year, and contact with human feces is the main cause, Time reported.
Access to toilets could go a long way to preventing these deaths, the statement said.
In addition to preventing diarrhea, better access to toilets could boost school and work attendance of girls and women, who risk embarrassment and sexual assault when forced to relieve themselves in the open or use public restrooms.
To jump-start the effort, the foundation is ponying up $42 million in grants aimed at spurring innovation in the "capture and storage of waste." It will also work with local communities to end open defecation and boost access to "sanitation solutions."
What sorts of solutions are envisioned? The foundation is working to develop waterless toilets that do not rely on sewer connections and that might turn human waste into fertilizer, fuel, or even safe drinking water.
In one project the foundation is funding, a team from Stanford University is looking to build a system in Nairobi, Kenya, that would turn human waste into charcoal, the Seattle Times reported. And a Swiss team is working on a toilet that would turn urine into water used for cleaning.
The World Toilet Organization has more on toilets, sanitation, and health.
This story originally appeared on CBSNews.com.

Tuesday, July 19, 2011

Photo exhibit shows alleged US drone strike deaths

ISLAMABAD (AP) — A London gallery opened a photo exhibit Tuesday that allegedly shows innocent civilians killed by U.S. drone missile strikes in Pakistan's tribal region along the Afghan border.
U.S. officials do not publicly acknowledge the CIA's covert drone program, but they have said privately that the strikes harm very few innocents and are key to weakening al-Qaida and other militants.
"I have tried covering the important but uncovered and unreported truth about drone strikes in Pakistan: that far more civilians are being injured and killed than the Americans and Pakistanis admit," said Noor Behram, a 39-year-old photographer who has worked with several international news agencies.
Behram spent the last three years photographing the aftermath of drone strikes in North and South Waziristan, important sanctuaries for al-Qaida and Taliban militants in Pakistan. He managed to reach around 60 attack sites, and the exhibit that opened Tuesday at the Beaconsfield gallery in London features photographs from 28 of those strikes.
U.S. officials "don't see that they target one house and along with it, two or three adjoining houses also get destroyed, killing innocent women and children and other totally impartial people," Behram told reporters in Islamabad on Monday.
It is often difficult to verify who is killed in the strikes because the areas where they occur are dangerous and off-limits to foreign journalists. News agencies often rely on local intelligence officials to determine who perished in a strike.
The exhibition is sponsored by the British rights group Reprieve and by the Foundation for Fundamental rights, an NGO started by Pakistani lawyer Mirza Shahzad Akbar to help drone strike victims.
The exhibit includes a photo showing an 8-year-old boy allegedly killed in a drone strike in 2009 in South Waziristan, his body surrounded by flowers as it was prepared for burial. Another showed a man in North Waziristan holding what is described as a piece of a missile fired from a U.S. drone, with the rubble of several destroyed mud buildings behind him.
Other photos in the exhibit are more gruesome.
A poll conducted last year in the tribal region by two U.S.-based organizations, the New America Foundation and Terror Free Tomorrow, found that more than three-quarters of the residents surveyed opposed the U.S. missile strikes, and nearly half thought they mainly kill civilians.
But some analysts and activists have suggested people in the tribal region are not free to express their true views about the missile strikes because they fear Taliban reprisal.
One political and human rights activist from the Khyber tribal region, Lateef Afridi, said last year that he has found particularly strong support for missile strikes among people he has met from North Waziristan, where most of the attacks have been focused recently.
Akbar, the Pakistani lawyer backing the exhibit, has sought to bring lawsuits against CIA officials connected with the drone program. He filed a report to Pakistani police Monday calling for an international arrest warrant for John Rizzo, the CIA's former chief counsel. Last year, Akbar filed a similar report against the CIA chief in Pakistan, prompting the spy agency to withdraw him from the country.
Pakistani officials regularly criticize the drone strikes as violations of the country's sovereignty. But the government is widely believed to have supported them in the past — a position that has become strained in the wake of the covert U.S. raid that killed Osama bin Laden on May 2 and humiliated Pakistan.
Reprieve's director Clive Stafford Smith said he believes the drone strikes are doing more harm than good in Pakistan.
"I hate to expose the world to pictures of a child with his head blown half off, but that is what the U.S. military calls 'collateral' damage," said Smith. "This is another terrible U.S. policy in the war on terror."
____
Associated Press writer Zarar Khan contributed to this report.

Tuko(gecko) trading thrives online amid govt warning

Buyers and sellers of tuko or gecko have turned to the Internet to facilitate the illegal trade of the reptile.

According to a report on GMA News’ “24 Oras," buyers and sellers have even set-up accounts on the social networking site Facebook where users may post queries on particular tuko varieties they are looking for.

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The tuko can cost up to a hundred thousand pesos.

The Protected Areas and Wildlife Bureau (PAWB), however, reiterated that it is illegal to buy and sell geckos without a permit from government. While the gecko is not an endangered species, the bureau warns that the indiscriminate breeding and selling of the lizard could wreak havoc on the ecosystem.

“[The illegal capturing and selling of geckos], pwedeng [magin sanhi ng] imbalance sa ating ecosystem. Kasi kung halimbawa bumaba iyong population natin ng tuko, tumataas naman ang population ng mga insekto na dapat [yung tuko ang] kumakain o nagcocontrol ng population," said Dr. Theresa Mundita Lim of the PAWB.

Under Republic Act 9147 or the Philippine Wildlife Resources Conservation and Protection Act catching and selling of protected animals are illegal.

Last week, the Department of Environment and Natural Resources (DENR) discouraged the public from catching and selling the reptile after reports surfaced that gecko was being harvested for their supposed medicinal properties.
Higher demand overseas has also fueled the illegal trade in the country, , according to the report.
The screen grab of "TUKO for SALE" on Facebook

“The law expressly provides that the collection, trade or transport of geckos without appropriate permits is punishable by imprisonment and fine... specifically, if the technique used in the capture of the gecko is inappropriate," said DENR chief Ramon Paje in a statement released on Tuesday.

The Department of Health (DOH) reiterated that there is no proof to support claims that geckos can cure cancer, asthma, tuberculosis, impotence and even Acquired Immunodeficiency Syndrome (AIDS).

Ang worry nga naming sa DOH, hindi nalang ‘yung kung nakakagaling or hindi. Baka sa halip na magpatingin o magpagamot, mag-rely sa paggamit ng tuko [at] sa halip na maagapan natin, baka lalong magkaroon ng problema," said Dr. Lyndon Lee Suy of the National Center for Disease Prevention and Control.

Those guilty of catching and selling geckos face a three-year of jail time or a fine of P300,000.